A poignant, revealing, and rueful tale of how much the political can affect the personal.
Old-fashioned romance and street-level crime are woven into a coming-of-age saga set amid the political turmoil of early 1990s Nigeria.
The title of Ishola-Ayodeji’s captivating debut novel is something of a double-entendre, as it refers to both the heroine’s first name and her vexing state of being. Patience Adewale is an 18-year-old U.S.–born Nigerian student living in the city of Ibadan with her stern, domineering, and politically influential father, who demands two things of her: that she get her accounting degree from the University of Lagos and that she stop asking him (or anybody else) about the specific whereabouts of her birth mother, Folami, whom he banished to America. Growing up wealthy, sheltered, and insulated from the grimmer realities of Nigerian society, Patience believes her true destiny has been to make and design clothes in the U.S. and is willing to do whatever it takes to locate her mom and fulfill her ambition. She arrives in Lagos convinced that she won’t find what she wants in a classroom and instead makes her way to the seamier side of town to reconnect with Kash, her ne’er-do-well cousin, who engages in petty crimes with his roommate, Emeka. They share their living space with Emeka’s handsome, smarter brother, Chike, an upstanding, hardworking motorcycle taxi driver unable to find work worthy of his university degree in petroleum science. Chike is far more interested in Patience (and the feeling is mutual) than he is in pulling scams with his brother. Yet Emeka and Kash persuade Patience and Chike to help them separate a million Nigerian naira (about $2,400) from a local bank with a phony check. Though Chike’s dead-set against the plan, a wary-but-game Patience overcomes her own jittery reservations and carries out the masquerade required of her for the con, so badly is she wanting to leave home. (“The irony,” she reflects at one point, “needing to do something unlike herself to actually find herself.”) But one big score isn’t enough for Kash and Emeka, and as both Patience and Chike become more exasperated in their efforts to realize their dreams through conventional means, the deeper involved all four become in bigger and riskier illegalities. All this personal struggle takes place within the backdrop of the 1993 presidential election aimed at setting Nigeria on course for a democratic government after years of military rule. Ishola-Ayodeji is deft, shrewd, sometimes witty, and always observant about the social, economic, and political obstacles to Nigerians wishing only to live honorably and decently.
A poignant, revealing, and rueful tale of how much the political can affect the personal.Pub Date: May 3, 2022
ISBN: 978-0-06-311691-7
Page Count: 384
Publisher: HarperVia
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
