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A MEMOIR

A moving and eloquent memoir.

A former book editor and memoirist’s account of the remarkable 35-year friendship that sustained her through the trials and tribulations of adult life. 

Thomas (Thinking About Memoir, 2008, etc.) met her best friend, Chuck, when both were working for a New York publisher. They never saw each other outside of the office, where they were “in each other’s pockets” and sometimes mistaken for a couple at work parties. Eventually, Thomas moved on to another job and remarried while Chuck started a family of his own—yet they were never out of touch. Then Chuck had an affair with Thomas’ oldest daughter, Catherine, who had found her way into the publishing world after college. The event rocked Thomas’ world, as well as her friendship with Chuck, because it was “something done behind [her] back.” Not long after that, Thomas’ husband suffered from traumatic brain injuries that would transform him into a bedridden invalid for the rest of his life. Thomas attempted to sever contact with Chuck, but in the end, he would become a steadying presence in her now upended life. With her best friend—and several good dogs by her side—Thomas went on to witness the births of grandchildren, the death of her husband, Catherine’s cancer diagnosis, the signs of her own aging, and Chuck’s struggle with cirrhosis and hepatitis C. These events challenged Thomas to celebrate or rediscover the beauty of life through reflection or her paint-on-glass artwork, just as it challenged her to push beyond the alcoholism that “alleviate[d] the pain or allowed [her] to feel it.” More aware than ever of the fragility of existence, Thomas eventually learned that the one thing that had allowed her to survive was love, which, in its roominess, “allow[ed] for betrayal and loss and dread,” feelings that inevitably come with being alive.

A moving and eloquent memoir.

Pub Date: March 24, 2014

ISBN: 978-1476785059

Page Count: 240

Publisher: Scribner

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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