Gets beneath the mask and tights to humanize the henching life.
For once, the henchman gets to tell his origin story in this beautifully rendered graphic novel.
In comic books, every costumed villain bent on elaborate schemes, whether a jewelry heist or world domination, needs a few henchmen. It’s these bit players who drive the getaway cars and provide the muscle. Mike Fulton is an ordinary guy whose college football career was shattered along with his knee after a rough game. Trying to buckle down to a normal life, he marries, has a child and works a low-paying job, but he never stops missing the excitement of competition, cheering crowds and team spirit. Football was the only thing he was ever good at. As a linebacker whose mentality is “Just tell me what to do, and turn me loose,” Mike doesn’t know how to make things better. Then he meets Randy, another ex-athlete whose career was ended by injury, who asks him: “Have you ever considered henching?” Former football players are in demand: They have size, speed and can follow orders. And despite the huge risks, Mike has no better offers. After a successful heist, Mike is nabbed on another job and sent to prison. He promises his wife he’ll go straight, but when their son, Cory, needs expensive medical treatment, he gets back into the life. This choice will have tragic consequences that Mike eventually must face. Beechen (Batman Beyond: Batgirl Beyond, 2014, etc.), Bello (Dugout, 2008) and Beavers (Bad Weather!, 2014, etc.) have created an entertaining, thoughtful spin on the superhero comic, cleverly focusing on the kind of character always left in the background: “This is me,” read several helpful arrows pointing Mike out among a crowd. (This technique is used to excellent, increasingly poignant effect throughout.) Mike’s character is interestingly, realistically developed. Touches of humor and a well-informed understanding of the genre (several panels are hat tips to comic-book greats) help bolster the story. The artwork is strong, bold and dynamic while still providing fine details that help set the scene.
Gets beneath the mask and tights to humanize the henching life.Pub Date: June 12, 2012
ISBN: 978-1-4776-4957-2
Page Count: 134
Publisher: CreateSpace
Review Posted Online: April 14, 2014
Kirkus Reviews Issue: May 15, 2014
Review Program: Kirkus Indie
PROFILES
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times...
A bland, uninspired graphic adaptation of the Bard’s renowned love story.
Using modern language, McDonald spins the well-known tale of the two young, unrequited lovers. Set against Nagar’s at-times oddly psychedelic-tinged backgrounds of cool blues and purples, the mood is strange, and the overall ambiance of the story markedly absent. Appealing to what could only be a high-interest/low–reading level audience, McDonald falls short of the mark. He explains a scene in an open-air tavern with a footnote—“a place where people gather to drink”—but he declines to offer definitions for more difficult words, such as “dirges.” While the adaptation does follow the foundation of the play, the contemporary language offers nothing; cringeworthy lines include Benvolio saying to Romeo at the party where he first meets Juliet, “Let’s go. It’s best to leave now, while the party’s in full swing.” Nagar’s faces swirl between dishwater and grotesque, adding another layer of lost passion in a story that should boil with romantic intensity. Each page number is enclosed in a little red heart; while the object of this little nuance is obvious, it’s also unpleasantly saccharine. Notes after the story include such edifying tidbits about Taylor Swift and “ ‘Wow’ dialogs from the play” (which culls out the famous quotes).Pub Date: May 10, 2011
ISBN: 978-93-80028-58-3
Page Count: 80
Publisher: Campfire
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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