An ambitious entry in a series that continues to improve.
The war between the Spell Walkers and Blood Casters rages on.
This fast-paced sequel to Infinity Son (2020) starts with Brighton drinking Reaper’s Blood, an elixir that might give him the powers he so desperately craves. Meanwhile, his brother, Emil, is in critical condition after trying to prevent the elixir from being made. As the brothers regroup and recover, celestial-hating Sen. Iron coerces his son, Ness, to use his shape-shifting abilities to impersonate and further stigmatize gleamcrafters. Maribelle tracks down her lover’s murderer to exact revenge. Despite their different methods, the Spell Walkers each share the goal of finding a way to defeat the Blood Casters and right the world. But as Brighton’s new powers manifest, his views on those heroics start to change. Can they still save the world? First-person narration jumps between the same four characters from the first book but delves even deeper into their individual stories. Silvera also adds the sizzle of sexual tension as the brothers each navigate feelings for their respective crushes—and for Emil, a new boy further complicates things. Aided by a necessary glossary, the ambitious worldbuilding expands to include even more magical parallels to real-life America (e.g., wand violence, enforcer reform, and alternative facts). The cast continues to be mostly brown-skinned and/or queer. Another cliffhanger ending adds to the anticipation for the final book in the planned trilogy.
An ambitious entry in a series that continues to improve. (dramatis personae) (Fantasy. 12-adult)Pub Date: March 2, 2021
ISBN: 978-0-06-288231-8
Page Count: 592
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: April 13, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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