Last in a trilogy about British schoolgirls whose lives parallel fairy tales, this not only depicts Bella's (Snow White's) rivalry with stepmother Marjorie but rounds out the stories of Megan (Rapunzel) and Alice (Sleeping Beauty). It's their hairdresser who fires Marjorie's insane jealousy by commenting on Bella's beauty. Bella, who sings, escapes to live with a band of seven musicians; Marjorie, disguised, tries to poison her (in their London digs and in Paris, where they go to perform) in ways that marvelously mimic Grimm's tale. Meanwhile, Bella has an affair with one of the musicians and falls in love at first sight with an American medical student who's providentially present on the third occasion Marjorie tries to do her in, with Calvados (apple brandy). Though the intriguing correspondences still dominate here, the characters' lives are also developed with some skill—Bella's disastrous relationship with Marjorie, the musicians' mÇnage, and the girls' different attitudes toward going to university are all believably detailed. Another solid performance from a writer distinguished for her imaginative power and fresh, vivid writing. (Fiction. 12+)
Pub Date: April 1, 1993
ISBN: 0-15-261588-1
Page Count: 128
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
A high-concept premise that falls short in its execution.
A teenage girl finds herself alone after everyone else in her town mysteriously disappears, leaving her scrambling to figure out how to find them all.
One late summer day, everybody in July Fielding’s town disappears. She is left to piece together what happened, following a series of cryptic signs she finds around town urging her to “GET THEM BACK.” The narrative moves back and forth between July’s present and the events of the summer before, when her relationship with her best friend, cross-country team co-captain Sydney, starts to fracture due to a combination of jealousy over July’s new relationship with a cute boy called Sam and sweet up-and-coming freshman Ella’s threatening to overtake Syd’s status as star of the track team. The team members participate in a ritual in which they jump off a cliff into the rocky waters below at the end of their Friday practice runs. Though Ella is reluctant, Syd pressures her to jump. Short, frenetically paced sections move the story along quickly, and there is much foreshadowing pointing to something terrible that occurred at the end of that summer, which may be the key to July’s current predicament, but there is much misdirection too. Ultimately this is a story without enough setup to make the turn the book takes in the end feel fully developed or earned. All characters read white.
A high-concept premise that falls short in its execution. (Fiction. 14-18)Pub Date: Sept. 19, 2023
ISBN: 9780593327173
Page Count: 320
Publisher: Dutton
Review Posted Online: July 27, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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