Silly but romantic stuff, written in a state of never-ending swoon.
More like a big, sloppy wet kiss to Greenwich Village than anything as mundane and unromantic as a novel: Trigiani’s fourth (after Milk Glass Moon, 2002, etc.) starts off in extremely unpromising territory but thankfully doesn’t stick with it for long.
Narrator Kit is a flighty writer of universally rejected plays and an occasional journalist who lives in the Village and is given to mundane reflections on just how wonderful her neighborhood is. Fortunately, she doesn’t have much of a life, so when her neighbor—a charming, gracious old lady everyone calls Aunt Lu—invites her in for some tea and ends up telling Kit the story of her life, Kit has no good reason to say no. In the early 1950s, Lucia Sartori lived with her large Italian family in the Village, where her father and brother ran the beloved Groceria food market. Lucia herself, still in her 20s and considered the neighborhood beauty, worked in the custom clothing section in the grand B.Altman’s department store on Fifth Avenue and was engaged to the most promising bachelor around, Dante DeMartino. Spunky Lucia, though, breaks the engagement when she discovers that the DeMartinos expect her to leave work and live with them as a cleaning, cooking, baby-producing housewife. It isn’t long before Lucia gets snapped up by John Talbot, a rakishly handsome man-about-town who’s vaguely employed in the importing business (alarm bells clang in everyone’s head, except for that of the normally bright Lucia). Trigiani is mostly interested in Lucia’s relationships with her coworkers and family, only intermittently cutting back to her blossoming romance with John. But she knows how to deliver on basic desires: her story is filled-to-bursting with gorgeous clothes, sumptuous meals, beautiful weather, and the rhapsody of New York City. Where it runs into problems is with its humans: solidly depicted but never quite lifelike.
Silly but romantic stuff, written in a state of never-ending swoon.Pub Date: July 8, 2003
ISBN: 1-4000-6005-2
Page Count: 344
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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