The dual focus on friendship and diversity makes this choice a winner.
Musa shares Eid with his new kindergarten classroom and learns about other students’ favorite days of the year as he makes friends with children from different backgrounds.
At the beginning of the school year, teacher Ms. Gupta, who wears a bindi, tells the children the faces in this room will become their closest friends. Brown-skinned Musa can’t imagine it. But when the teacher says that everyone will share their favorite day of the year so they can all celebrate it together, Musa is elated. He shares Eid with his classmates. His mother comes in to help, wearing a hijab, and they serve the class foods from various cultures within Islam. “Everyone could see why Eid was Musa’s favorite.” When the other students share their favorite days, they are similarly received by the class: Mo shares Rosh Hashanah, with help from his family, two men wearing kippot who share his light skin and brown hair and a brown-skinned child with black hair; Moisés shares Christmas and Las Posadas; and Kevin shares Pi Day. At the end of the year, they have become good friends. This celebration of diversity and friendship includes lush descriptions of each holiday and can serve as an entry point for any one of them. Bell’s textured illustrations are festive and youthful, picturing a diverse, child-centered world. The endpapers are particularly intriguing, with quiltlike squares picturing various cultural symbols; further information on each of the four holidays appears in the backmatter.
The dual focus on friendship and diversity makes this choice a winner. (Picture book. 4-8)Pub Date: June 30, 2020
ISBN: 978-1-4814-8563-0
Page Count: 40
Publisher: Salaam Reads/Simon & Schuster
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: June 1, 2020
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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