by Aesop & adapted by Marmaduke Park & illustrated by Umesh Shukla & developed by Auryn Inc. ‧ RELEASE DATE: April 9, 2011
Too quickly over, but an altogether engaging version of a classic bit of common literary currency.
An arch 19th-century version of the fable, sans explicit moral, is paired to illustrations of silhouette figures flexed in lively ways by barred “Scanimation”-type screens.
Viewers can opt to take an active or a (semi-) passive role. With the Read-to-Me option, a plummy-voiced narrator reads aloud as the pages and the superimposed screen advance automatically. Children reading the text silently can manually swipe to the next page and drag the screen over the black silhouettes at any chosen rate to control the speed with which the contenders nod, gesticulate and dash along. Park’s formal but not stuffy language echoes that of the poet’s contemporary Edward Lear and matches like qualities in the art nicely. “So at last this slow walker came up with the hare, / And there fast asleep did he spy her. / And he cunningly crept with such caution and care, / That she woke not, although he pass’d by her.” Just for fun and a bit of added animation, the text appears on sign boards that swing down from the top and can be cut loose to fall and shatter violently into individual words. The free version of the app is subsidized by ads that run across the top of each frame; readers who prefer a commercial-free experience can upgrade within the app for a fee.
Too quickly over, but an altogether engaging version of a classic bit of common literary currency. (iPad storybook app. 5-8)Pub Date: April 9, 2011
ISBN: N/A
Page Count: -
Publisher: Auryn
Review Posted Online: April 17, 2011
Kirkus Reviews Issue: May 15, 2011
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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