A beautiful and poignant memoir demonstrating perseverance and the power of art.
The artist and social activist explores his father’s turbulent relationship with the early Communist regime and his own struggle for creative freedom.
Spurred by his imprisonment in 2011 for “economic crimes” against the authoritarian Chinese government, Ai Weiwei (b. 1957) uses his father’s heartbreakingly difficult life as a point of departure to tell his own story. Born in 1910, just as the Qing dynasty was collapsing, Ai Qing was part of the new idealistic proletariat, trained as an artist and schooled for a year in Paris before taking his place as part of the increasingly ideological cultural force in the new Communist China. But Mao Zedong unleashed waves of political upheaval, and just when the author was born, Ai Qing was exiled during the so-called Anti-Rightist campaign. Most miserably, during the Cultural Revolution, father and sons were sent to “Little Siberia,” on the edge of the Gurbantünggüt Desert, where they lived in “a square hole dug into the ground, with a crude roof formed of tamarisk branches and rice stalks, sealed with several layers of grassy mud.” Still, his father’s indomitable spirit remained intact, and under Deng Xiaoping’s leadership, the family was able to return to Beijing. At this point, the author segues into his own restless seeking. He spent more than a decade in New York City before returning to Beijing to try his hand at curating art shows, designing architecture (he consulted on the “Bird’s Nest” stadium for the 2008 Olympics), and engaging in social activism (Black Cover Book). The author eventually ran afoul of the party leadership for his “intolerable insolence,” but the tenacity of his father and his artistic vision have always guided him. “In China,” he writes, “we were still living in a culturally impoverished era, but art had not abandoned us—its roots were deeply planted in the weathered soil.” Throughout, the author maintains a fluid, heartfelt narrative.
A beautiful and poignant memoir demonstrating perseverance and the power of art.Pub Date: Nov. 2, 2021
ISBN: 978-0-553-41946-7
Page Count: 400
Publisher: Crown
Review Posted Online: Aug. 27, 2021
Kirkus Reviews Issue: Sept. 15, 2021
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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