Reads like preteen-authored Twilight fanfic; only worth it for its intended purpose. (Horror. 11-17)
Cursed with a ravenous nighttime appetite, will John hurt the ones he loves?
Sixteen-year-old John had a fight with his girlfriend, Andrea, at a school dance. After she stormed off, he started talking to Beth, the dark, disheveled, athletic new girl. One thing led to another, and they were kissing; then Beth bit him hard on the neck. After that, the dreams started. Dark, disturbing dreams accompanied by “night hunger.” John eats everything he can get his hands on at night. When the French teacher turns up horribly murdered in the woods, Beth is the only student not distressed. She starts stalking John, showing up at his house at odd hours. On the night of a party on the full moon, John and Beth both become monsters. Will he be able to protect Andrea and save the town from whatever Beth is…and whatever he has become? Prolific British children’s and YA author Gibbons’ entry in this high-interest, low-vocabulary series is a first-person tale told in simple, declarative sentences and a conversational style. A slick cover, short chapters and cliffhanger chapter endings make for a good Hi-Lo title, but not necessarily good fiction.
Reads like preteen-authored Twilight fanfic; only worth it for its intended purpose. (Horror. 11-17)Pub Date: April 1, 2013
ISBN: 978-1-78112-179-5
Page Count: 50
Publisher: Stoke Books
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
BOOK REVIEW
BOOK REVIEW
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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