Enjoyable writing and real insight power this fascinating look at a band that went their own way.
A look at the classic rock album that has captured the imaginations of both boomers and Zoomers.
Fleetwood Mac’s Rumours hit record store shelves in 1977, and we’re all still talking about it nearly 50 years later. There are a lot of reasons for that, Light argues in his latest musical biography, in which he seeks to explain its enduring appeal: “This album has made it into every corner of our consciousness, and its influence extends to rockers, singer-songwriters, pop stars, and rappers, but beyond that to young people of all backgrounds figuring out how to navigate their own lives and relationships.” Light is particularly interested in why Rumours continues to resonate with young people, and he interviews twentysomething-year-old listeners who have discovered “this old-ass album” thanks to friends, TV shows, and TikTok—namely the now-famous clip of Nathan Apodaca, on his skateboard, lip-syncing “Dreams” while drinking from a bottle of Ocean Spray Cran-Raspberry juice. The author considers the drama surrounding the album, recorded during a period of the band members’ cheating and breakups and liberal drug use, but that does not impress all younger people; one of them says, “I don’t care—just play the fucking song.” Light goes track by track in the book, dedicating a chapter to each of its songs, including “Silver Springs,” which was not on the original record but is on some reissues (“the song that creates Schrödinger’s Rumours,” as the author puts it). It’s hard to argue with Light’s conclusions that “it was something that kids found and liked because other kids found and liked it,” and that “whatever you go to Rumours looking for, it is there to be found. It is open to all.” Light’s tone is light and breezy, but it’s clear that he’s put much thought into this informative book. It’s a lot of fun.
Enjoyable writing and real insight power this fascinating look at a band that went their own way.Pub Date: Nov. 4, 2025
ISBN: 9781668054376
Page Count: 288
Publisher: Atria
Review Posted Online: Aug. 14, 2025
Kirkus Reviews Issue: Sept. 15, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
