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BINGO, BANGO, BOINGO

A collection that asks the question, “Can a story ever be too brief?” The answer is yes.

A book of microfictions featuring an even more experimental foray into the narrative structures of chance.

This collection, slender on the shelf at 140 pages, contains the hidden heft of no fewer than 47 individual flash fictions. Rarely more than two pages long, the stories are pithy, whimsical, ironic, and poignant by turn. Often, they use the extreme efficiency of their language to poke fun at some absurd exigency of modern society, as in “Ella’s Letter to the Editor of the Universe,” which whipsaws between peevish acerbity (“Someone has put Beauty in the same aisle as Health Essentials”) and existential complaint (“Someone has used the human penchant for choice to justify hatred”) in almost the same breath. Other stories use their brevity to eschew narrative linkage, as in “How Phil Imagines the Afterlife,” which uses an enigmatic list of non-sequiturs (“17. Did you make the reservation? 18. I guess it’s okay that the lifeguard’s a teenager”) to portray the afterlife as a series of overheard remarks at a crowded resort pool. The whimsy in these stories creates a pleasant, chatty overlay of language that sometimes parts to reveal a startling moment of insight as the largely earnest characters struggle through the narration’s insouciant wit. This conflict—character vs. language—is a fascinating one to follow through its various paces, but Parker’s other project here is less successful. Interspersed between the stories are 26 bingo cards with titles like “Change Your Life Bingo,” “Feti’s Border Crossing Bingo,” and “Don’t Hate Your Daddy Bingo.” These pieces push the experiment of narrative brevity to an extreme, inviting the reader to interact with a single word or brief phrase contained within the standard 25-square grid of a bingo card whose context is provided only by the card’s title. This freewheeling play with story structure—the reader can arrange the story along horizontal, vertical, or diagonal lines as they see fit—is intellectually stimulating the first time it appears, but the pleasure of the form doesn’t hold up to repeat engagement.

A collection that asks the question, “Can a story ever be too brief?” The answer is yes.

Pub Date: Feb. 11, 2025

ISBN: 9781938603211

Page Count: 140

Publisher: Dzanc

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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TWICE

Have tissues ready as you read this. A small package will do.

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  • New York Times Bestseller

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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