by Alastair Reid & illustrated by Bob Gill ‧ RELEASE DATE: Dec. 1, 2010
A 1960 text from Reid is paired to all-new illustrations from Gill that realize one child’s beguiling hypotheses. “Supposing / I taught my dog how to read...” Beneath this intriguing opening, a floppy-eared dog holds a book in its mouth, waiting. “Supposing / I looked in the mirror one day and saw someone who wasn’t me at all and I said, Who are you? and he said, Mr. Endicott...” Readers see the child from the rear looking into the mirror, out of which is reflected an adult man wearing a fedora. And so it goes, supposition after childlike supposition, against scribbly, mostly black-and-white drawings with just a few strategic touches of color. The sophisticated minimalism of the illustrations at their best work with the text to prompt wild flights of fancy; at worst, they are simply thought-provoking. As fascination with cause and effect is a classic phase of childhood, this book would seem to have a natural place in both bedrooms and classrooms; though the flat, mannered cartoons may be initially off-putting to kids, the concept will beguile them. (Picture book. 4 & up)
Pub Date: Dec. 1, 2010
ISBN: 978-1-59017-369-5
Page Count: 56
Publisher: New York Review Books
Review Posted Online: Dec. 25, 2010
Kirkus Reviews Issue: Nov. 15, 2010
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by Alastair Reid ; illustrated by JooHee Yoon
by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Josh Schneider ; illustrated by Josh Schneider
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by Josh Schneider ; illustrated by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
by Dan Santat ; illustrated by Dan Santat ‧ RELEASE DATE: Oct. 3, 2017
A validating and breathtaking next chapter of a Mother Goose favorite.
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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Dan Santat ; illustrated by Dan Santat
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by Joanna Ho ; Caroline Kusin Pritchard ; illustrated by Dan Santat
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by Neil Sharpson ; illustrated by Dan Santat
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