A striking tribute to reggae’s ability to protect a fragile soul when seemingly everything else had failed him.
A memoir showing how reggae music sustained the author as a troubled youth and helped him become a successful author.
Wheatle has written numerous novels, including Cane Warriors and Straight Outta Crongton, about sufferahs, those who, born into disadvantaged circumstances, navigate “a hostile environment, often at a terrible personal cost, for a purpose bigger than themself.” In this inspiring, often harrowing narrative, the author chronicles how, shortly after he turned 3, he was abandoned by his parents and placed in the care of the government. That led to a childhood of physical and sexual abuse on top of the racism and police brutality he experienced growing up in Brixton, England, in the 1970s and ’80s. Wheatle felt like he was alone in the world, failed by the systems that were supposed to support him, but he found solace in reggae. The lyrics from classics from reggae legends like Bob Marley, Dennis Brown, and Lee “Scratch” Perry offered comfort and advice for him during stressful times, especially after he was imprisoned for participating in the 1981 Brixton uprising against racism. The music, especially the bass lines, prompted him to dance, which provided one of the few escapes, albeit temporary ones, from his troubles. As dark as his early memories are, Wheatle describes his reggae memories with glimmers of hope and appreciation. “The resident sound system was the Mighty Observer, operated by a dreadlocked guy named Austin,” he recalls. “One of his crew was a bulky brother nicknamed Rhino. When he hit the floor, you had to be careful he didn’t take you out with his wild skanking, hence his moniker.” It’s those flickers of happiness that make a seemingly bleak story bearable. Eventually, Wheatle found purpose from his prison cellmate and was able to start turning his life around.
A striking tribute to reggae’s ability to protect a fragile soul when seemingly everything else had failed him.Pub Date: July 4, 2023
ISBN: 9781636140933
Page Count: 256
Publisher: Akashic
Review Posted Online: March 24, 2023
Kirkus Reviews Issue: April 15, 2023
IN THE NEWS
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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