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LOVE OVER SCOTLAND

Irresistible stuff. As Antonia wonders of Domenica: “Why did she bother going to the Malacca Straits when all this was going...

The denizens of 44 Scotland Street (Espresso Tales, 2006, etc.) spread their wings in the third volume of their ever more far-flung adventures, originally published as 113 daily installments in The Scotsman.

“This is no fanciful picture of Edinburgh life, this is exactly as it is,” announces Smith in a headnote aptly titled “The story so far.” Certainly, it’s a picture of Edinburgh life as it ought to be, even for series regulars who experience reversals. Art-history student Pat MacGregor, who’s cast off one unsuitable man only to fall for another, continues impervious to the plaintive devotion of her friend Matthew, whose attainments as the owner of the Something Special Gallery have been enhanced by an infusion of £4,000,000 from his wealthy father. Painter Angus Lordie, saddened by the departure of anthropologist Domenica Macdonald for Malacca Straights, ponders whether his relationship with her friend Antonia Collie, a budding novelist who’s subletting her flat, will ripen into something even closer, but is swiftly disillusioned. Angus’s dog Cyril is pinched while he’s tied outside the Italian grocery Valvona & Crolla, leaving both man and beast desolate. Big Lou Brown, who owns the coffee bar to which Matthew routinely repairs for caffeine and consolation, suddenly finds herself in danger of losing the place. And Bertie Pollock, the precocious six-year-old whose laughably overbearing mother has already pushed him to learn Italian and the saxophone, is cast despite his protests as Captain von Trapp in his class production of The Sound of Music and forced to audition for the Edinburgh Teenage Orchestra. In the novel’s single funniest episode, he’s left behind during the orchestra’s trip to Paris and has to survive on his own wits, which are considerably sharper than those of his parents.

Irresistible stuff. As Antonia wonders of Domenica: “Why did she bother going to the Malacca Straits when all this was going on downstairs?”

Pub Date: Nov. 6, 2007

ISBN: 978-0-307-27598-1

Page Count: 368

Publisher: Anchor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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