A visually compelling take on the refugee experience that may be too lofty for its target audience.
A family of mice suddenly find their cozy red knitted home unraveling.
No longer safe, the creatures flee, traveling past various dangers in search of refuge. With the help of welcoming neighbors, they build a colorful home from the remnants of their old dwelling and new yarn balls—symbolic representations of the heavy emotional burdens that they can now release. Laced with knitting terminology, this French import explores the turmoil and heartache endured by many refugees. Photographs of yarn and knitting needles combine with muted line drawings of the animals for a visually rich tale that makes effective use of texture, shadow, and color. The author and illustrator use yarn, portrayed here as both a means of escape and a symbol of peril, to heighten the emotional and physical tension. Though the artwork is approachable and kid-friendly, the abstract text at times risks framing refugees as passively or willingly accepting their fate (“We leave without making a fuss,” “We leave without a word of complaint”). While adults will appreciate the poignant message about rebuilding a life (“With these threads of ourselves, / with these spools of worry, / knit one in silk, / purl one in wool”), the complex figurative language may go over children’s heads. Still, with a loving grown-up to put the work in context, it could spark conversations about the effects of being uprooted.
A visually compelling take on the refugee experience that may be too lofty for its target audience. (Picture book. 4-7)Pub Date: Feb. 18, 2025
ISBN: 9780802856395
Page Count: 32
Publisher: Eerdmans
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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