Told with restraint and ease, this book is about a romantic legend that haunts the ubiquitous pottery design. It begins with an invitation: ``Fly with me, over China, and down into the landscape of the willow pattern.'' Readers are thrust into the blue-and-white realm of lovers Koong Shee and Chang, respectively, a wealthy mandarin's daughter and a poor servant. But Koong Shee, betrothed to an old merchant, is locked away by her father; Chang rescues her on her wedding day and they embark on a happy life in hiding. Ultimately, the mandarin finds them and throws them into a maze beneath his Great Pagoda; when he and the lovers die, their world becomes as eternal and changeless as the now-familiar willow pattern. Any child who has ever imagined a journey into a two- dimensional expanse will be carried away by the passion Drummond brings to his subject. His blending of still elements from the pottery with looser, livelier drawings of the story's pursuits have a lyrical grace, although the order of events in text and pictures sometimes disagrees (spot vignettes of later action in the tale occasionally precede larger visuals of earlier incidents). An author's note in the end warns readers of the ``truth'' about this pattern and legend, notably, their British origins. A charmed work, told with conviction and a sure hand. (Picture book. 4-8)
Pub Date: Sept. 1, 1992
ISBN: 1-55858-171-5
Page Count: 24
Publisher: NorthSouth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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