With sensitive text and powerful illustrations, Say brings this remarkable, inspiring life to poignant reality.
An imagined biography in words and pictures of the self-taught white artist James Castle.
James Castle was born in 1899 on a farm in rural Idaho, “deaf, mute, autistic, and probably dyslexic.” Using interviews, written biographical material, and Castle’s own drawings as guides, Say, writing in the voice of Robert “Bob” Beach, Castle’s nephew, offers a sensitive portrait of a person compelled to draw despite abuse and lack of drawing materials. Considered “ineducable” by the principal of the Idaho School for the Deaf James attended from ages 10 to 15 (he also told James’ father not to let him draw), James used burnt matchsticks, soot mixed with his own saliva, and scrap paper to draw in secret. When Beach showed some of Castle’s drawings to his art professor, the professor, impressed, arranged an exhibition. More exhibitions followed, and Castle moved into a used trailer—by far the nicest studio he ever had. It’s a small but deep triumph that this misunderstood, determined artist became discovered by the art world during his lifetime. “I think he was happy,” narrator Bob says of this period, and it’s a wistful note that Say’s illustrations—some in Castle’s own style, some darkly black and white, and some in color—give heartfelt resonance to.
With sensitive text and powerful illustrations, Say brings this remarkable, inspiring life to poignant reality. (author’s note, bibliography) (Picture book/biography. 8-15)Pub Date: Oct. 31, 2017
ISBN: 978-0-545-92761-1
Page Count: 64
Publisher: Levine/Scholastic
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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