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OG'S ARK

An unusual take on a familiar story, with an enormous and likable character and a few gaps.

Combining a character from Numbers and Deuteronomy with the biblical tale of Noah’s Ark, the Marks and Peluso introduce the giant Og.

First shown in the arms of a smiling, doughy woman with her back against a tree trunk and her head in the leaves, Og is a big baby, so large he breaks his cradle and every bed after that as he grows. Years of sleepless nights make him grumpy to his fellow humans, but animals seek the safety of his warm mass. Because the animals trust Og, Noah tells Og about the impending flood and enlists his help gathering the animals. The vivid palette in greens, golds, and browns is warm, and the rounded shapes bring a look of juvenile innocence to all of the characters. Bible stories are complicated, and this comforting aesthetic stands in contrast to the devastation and implied death that sensitive youngsters will surely ask about, especially after seeing a close-up of Og’s tear-stained face when he discovers he cannot fit in the ark (although Og has previously said he is so tall he cannot drown). Noah invites Og to ride on top of the ark and later the giant is rewarded, presumably by God, with a giant-sized bed—which Og finds perfectly comfortable once his animal friends join him.

An unusual take on a familiar story, with an enormous and likable character and a few gaps. (authors’ note) (Picture book. 4-8)

Pub Date: March 1, 2016

ISBN: 978-1-4677-6149-9

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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BROKEN CRAYONS STILL COLOR

Religious-themed affirmation to help steel little ones fretting about school.

Collier, founder of the international women’s ministry Broken Crayons Still Color, and co-author Bak help kids tackle first-day-of-school jitters.

There’s nothing like a new box of crayons, especially when the first day of school is right around the corner. Avery tries to enjoy coloring, but she feels “flippy, fizzy, and fluttery inside.” When Avery doesn’t want to eat dinner, her father realizes she’s nervous and encourages her to pray. Avery replies that she’s too scared; her father tells her, “You can do hard things.” Later, Avery draws with her crayons, but her depictions of her first day reflect her anxieties—attempting to draw the school playground, she scrawls an image of her being hit by a ball while another child laughs. Suddenly, Avery’s crayons break. Realizing she’s made a mess, she begins to sob: “I’m a mess, just like these crayons.” But one of the crayons Avery broke begins talking to her, telling her not to put herself down. The very polite crayons reassure Avery, telling her it’s OK to feel bad, offering her strategies for calming herself, and telling her that “no mess is ever too big for God.” Vasilica’s sprightly illustration are charming and inviting, while the message is a soothing one—though one more likely to appeal to religious, especially Christian, readers. Avery and her family present Black. (This book was reviewed digitally.)

Religious-themed affirmation to help steel little ones fretting about school. (feelings color wheel) (Picture book. 4-8)

Pub Date: Aug. 29, 2023

ISBN: 9781400242900

Page Count: 40

Publisher: Tommy Nelson

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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MOMMY'S KHIMAR

With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked...

From a debut author-and-illustrator team comes a glimpse into a young American Muslim girl’s family and community as she walks around in “Mommy’s khimar,” or headscarf.

The star of this sunny picture book is a young girl who finds joy in wearing her mother’s khimar, imagining it transforms her into a queen, a star, a mama bird, a superhero. At the core of the story is the love between the girl and her mother. The family appears to be African-American, with brown skin and textured hair. The girl’s braids and twists “form a bumpy crown” under the khimar, which smells of coconut oil and cocoa butter. Adults in her life delight in her appearance in the bright yellow khimar, including her Arabic teacher at the mosque, who calls it a “hijab,” and her grandmother, who visits after Sunday service and calls out “Sweet Jesus!” as she scoops her granddaughter into her arms. Her grandmother is, apparently, a Christian, but “We are a family and we love each other just the same.” The illustrations feature soft pastel colors with dynamic lines and gently patterned backgrounds that complement the story’s joyful tone. The words are often lyrical, and the story artfully includes many cultural details that will delight readers who share the cheerful protagonist’s culture and enlighten readers who don’t.

With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked cultural group . (Picture book. 4-8)

Pub Date: April 3, 2018

ISBN: 978-1-5344-0059-7

Page Count: 40

Publisher: Salaam Reads/Simon & Schuster

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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