A deeply satisfying suspense tale.
The stories of two women separated by miles and years intertwine in Thomas’ riveting blend of family drama and thriller.
Single mother and journalist Leslie Graham has shaken off a disturbing past event and now leads a full life in California with her two teenage daughters, Rhonda and Jillian. Leslie is shortlisted to become the first Black news editor at the local paper in the charmingly named town of Dancing Hills. Suddenly, her world is thrown into turmoil when her daughters are involved in a car crash that is no accident: An SUV intentionally hits their vehicle, but why? In contrast to Leslie’s success and family life, 10 years earlier, New Yorker Barbara Morris, unhappily married to her husband Edward and aware he is planning to divorce her, develops a plan to keep their young daughter, Nancy, should the marriage dissolve: Barbara intends to hide their daughter and insinuate that Edward is to blame for her disappearance. It is a dark plan, concocted by a woman with significant psychological issues; Barbara fears she may suffer from schizoaffective disorder, likely inherited from a mother confined to a mental institution for killing her boyfriend (“The noise in my head, the voices. I couldn’t ignore them. The voices, those damn voices!”). Secrets abound throughout the book, and none of the women, young or old, is who she seems to be. Mother/daughter issues—good, bad, and very, very bad—knit together a narrative that brims with surprises. Characters who initially seem sympathetic turn otherwise, and vice versa. Leslie’s and Barbara’s stories are told in alternating chapters, with the two narratives converging in an explosive finale. Throughout, attention to small details helps make the characters feel more real, such as Leslie’s love of crocheting, Rhonda’s smile that reveals retainers, or Barbara’s approval of styling her dreadlocks in a French twist.
A deeply satisfying suspense tale.Pub Date: May 7, 2024
ISBN: 9798218389680
Page Count: 327
Publisher: Diverse Arts Collective
Review Posted Online: June 26, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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