This luminous novel continues the important work of remembering this period and learning its lessons.
After the Vietnam War, a close-knit Long Island community reacts to outsiders in its midst.
As the popularity of Kristin Hannah’s The Women (2024) stokes renewed interest in fiction about the Vietnam War and its aftermath, Richman’s tenth novel examines the experience of a carefully drawn set of characters, inspired by true stories and extensive interviews. Anh and her 10-year-old nephew, Bảo, are the only members of their family to survive violent post-war repression and a perilous escape over the sea. Though they’ve been taken in by a community of Catholic sisters in the fictional town of Bellegrove, their adjustment is not smooth, and when we first meet Bảo, he’s run away from the Motherhouse and is sleeping on a sidewalk. This is where Grace, an Irish immigrant and survivor of tragedy herself, finds him; so begin her efforts to help the boy and his aunt. While her younger daughter, Molly, and her husband, Tom, are all for it, teenage Katie wants no part of the mission. “They have agencies that care for kids like that,” she tells her sister. Opposition also comes from Grace’s friend Adele, whose brother was killed in Vietnam; Grace wonders how Jack, a war veteran who works nights in Tom’s clock and watch repair shop, hiding his severely scarred face from the world, will react. Richman uses a rotating perspective to fill in the background that motivates each of these characters: Grace’s childhood tragedy and immigrant experience; Jack’s battlefield horrors and fierce reclusiveness; Anh’s profound losses. In an author’s note, Richman ties each of these storylines to its real-life inspiration, and even the modus operandi of a group of adolescent baddies seem partly inspired by a true Long Island crime of the period, the murder of 13-year-old John Pius in 1979.
This luminous novel continues the important work of remembering this period and learning its lessons.Pub Date: Oct. 15, 2024
ISBN: 9781454953234
Page Count: 336
Publisher: Union Square & Co.
Review Posted Online: Oct. 10, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Vintage Follett. His fans will be pleased.
A dramatic, complex imagining of the origins of Stonehenge.
In about 2500 B.C.E. on the Great Plain, Seft and his family collect flints in a mine. He dislikes the work, and the motherless lad hates the abuse he gets from his father and brothers. He leaves them and arrives at a wooden monument where sacred events such as the Midsummer Rite take place. There are also circles of stones that help predict equinoxes, solstices, even eclipses. This is a world where the customary greeting is “May the Sun God smile on you,” and everyone is a year older on Midsummer Day. Except for a priestess or two, no one can count beyond fingers and toes—to indicate 30, they show both hands, point to both feet, then show both hands again. Casual sex is common, and sex between women is less common but not taboo. Joia, a young woman who becomes a priestess, wonders about her sexuality. After a fire destroys the Monument, she leads a bold effort to rebuild it in stone. To please the gods, they must haul 10 giant stones from distant Stony Valley. Of course neither machinery nor roads exist, so the difficulties are extraordinary. Although the project has its detractors, hundreds of able-bodied people are willing to help. Craftspeople known as cleverhands construct a sled and a road, and they make the rope to wrap around the stones. Many, many others pull. And pull. Meanwhile, the three principal groups—farmers, woodlanders, and herders—all have their separate interests. There is talk of war, which Joia has never seen in her lifetime. Soon it seems inevitable that the powerful farmers will not only start one but win it, unless heroes like Seft and Joia can come up with a creative plan. But there is also the matter of love for Joia in this well-plotted and well-told yarn. The story has a lot of characters from multiple tribes, and they can be hard to keep track of. A page in the front of the book listing who’s who would be helpful.
Vintage Follett. His fans will be pleased.Pub Date: Sept. 23, 2025
ISBN: 9781538772775
Page Count: 704
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
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