An Israeli journalist’s gripping narrative of the horrifying 2023 attacks on his community and country.
Amid unthinkable carnage, a family evades Hamas gunmen.
On Oct. 7, 2023, Tibon and his wife, Miri, awoke to the “shriek” of mortar fire, which they and their two young daughters had grown accustomed to as residents of kibbutz Nahal Oz, a small Israeli community near Gaza. But after hurrying to their house’s concrete safe room, they heard distant automatic gunfire, which drew closer and confirmed their worst fears: “Hamas was coming for us.” The self-described “left-leaning” author, a reporter for the Israeli newspaper Haaretz, combines a first-person account of the invasion with an informative history of the multiple attempts to secure Israeli-Palestinian peace, invariably destroyed by “extremists”—a term he uses for zealots on both sides. Tibon recounts how, after learning of the attacks, his mother and father, Gali and Noam, made the hour-long drive from their Tel Aviv home to their son’s. Upon arrival in Nahal Oz, Noam, a retired Israeli army general, was drawn into the fighting. When an Israeli soldier was mortally wounded, Noam borrowed the man’s M16 assault rifle and killed a Hamas attacker. Noam eventually reached his son’s house, where, after 10 hours in the safe room, Tibon and his family were physically unharmed. Outside the house lay “five dead bodies, all Hamas terrorists.” Fifteen Nahal Oz residents were killed; eight were kidnapped. Across Israel, more than 1,200 men, women, and children were killed. Tibon condemns Israeli Prime Minister Benjamin Netanyahu for a chaotic domestic response that poorly served Nahal Oz survivors. The author initially backed Israel’s military response but today feels it’s “extremely difficult to countenance the level of destruction caused by my own country inside Gaza,” where more than tens of thousands of Palestinians have been killed. To his dismay, Tibon finds “no leaders in this land these days.”
An Israeli journalist’s gripping narrative of the horrifying 2023 attacks on his community and country.Pub Date: Sept. 24, 2024
ISBN: 9780316580960
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Nov. 8, 2024
Kirkus Reviews Issue: Dec. 15, 2024
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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