Edith Wharton’s 1926 “A Bottle of Perrier” sets a high bar for everything that precedes it. Good thing it comes last.
Variety is the keynote for these 21 recent reprints and one century-old bonus story.
Both editor Towles and series editor Otto Penzler emphasize the central importance of dead bodies in mystery fiction, ignoring the fact that two of the stories they’ve chosen end with the entire cast still alive. Aaron Philip Clark, Tom Larsen, Michael Mallory, and Ashley Lister choose characters or settings—an undocumented mother helpless to get justice for her son’s death, a corrupt Ecuadorian cop, a house cat fitted with a camera that records a murder in progress, a prostitute who shot the trafficker/witness she was hired to entertain—that provide welcome originality, and Lou Manfredo, Annie Reed, Anna Round, and Jessi Lewis showcase elegiac moments that are variously open-ended, the inconclusiveness of the last two especially effective. Most of the remaining stories tick the boxes for established but diverse subgenres. Victor Kreuiter and Joseph S. Walker follow hit men who come out of retirement for one last score. Joslyn Chase’s reopening of a cold case is an expertly compressed procedural. Andrew Child’s latest Jack Reacher adventure is interesting mainly for its uncertainty about which minor details will provide springboards for action. Jeffery Deaver’s cat-and-mouse game between a U.S. marshal and an explosively violent woman is notable for one of Deaver’s trademark surprises halfway through. Derrick Belanger pens a deft Sherlock-ian pastiche; Kerry Hammond introduces a darkly witty twist to her homage to Miss Marple; Sean McCluskey salutes the more hard-boiled criminals Parker and Keller in his tale of a no-holds-barred attorney seeking his wealthy client’s kidnapped daughter. The best of these traditional stories is Brendan DuBois’ predictable but perfectly turned account of a wealthy fugitive who’s blackmailed by his gardener.
Edith Wharton’s 1926 “A Bottle of Perrier” sets a high bar for everything that precedes it. Good thing it comes last.Pub Date: Sept. 19, 2023
ISBN: 9781613164488
Page Count: 500
Publisher: Mysterious Press
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
A fresh and clever whodunit with an engaging twist.
A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.
Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”
A fresh and clever whodunit with an engaging twist.Pub Date: July 29, 2025
ISBN: 9781805335436
Page Count: 288
Publisher: Pushkin Vertigo
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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