An engaging approach to fine art—but the premise shows signs of wear.
From the creators of If da Vinci Painted a Dinosaur (2018), introductions to 16 more artists who didn’t paint monsters—but could have.
Once again the illustrator brushes in a hamster docent to guide viewers through a gallery of paintings that evoke the styles, and often specific works, of an artistic roster that gives people of color (Jean-Michel Basquiat, Robert Thompson) and women (Dorothea Tanning, Frida Kahlo, Helen Frankenthaler) strong showings alongside their dead white male colleagues. The tone is generally tongue-in-cheek—but there are some genuinely creepy critters too, from a surprisingly disturbing Giuseppe Arcimboldo face to surrealist Tanning’s eerily invisible midnight walker. Still, seeing Edward Hopper’s Nighthawks transformed into small rodents, a long, green body gliding sinuously among fuzzy Claude Monet water lilies, undead figures cavorting in an Henri de Toulouse-Lautrec “danse macabre,” or the dramatic slashes of a Franz Kline–style abstract certainly makes the originals approachable as well as serving as points of departure for private imaginings. The accompanying captions are largely superfluous (“M.C. Escher’s creatures creep up and down, around and around.” So they do), but as before, a blank page set on an easel at the end invites personal additions to the exhibit. Capsule profiles of each artist parodied close the volume.
An engaging approach to fine art—but the premise shows signs of wear. (Informational picture book. 5-9)Pub Date: Oct. 1, 2019
ISBN: 978-0-88448-768-5
Page Count: 40
Publisher: Tilbury House
Review Posted Online: Aug. 11, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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