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A WATCH IN THE NIGHT

The last volume in Wilson's quintet, known collectively as the Lampitt Chronicles (Hearing Voices, 1996, etc.), not only answers the big mystery that dogged all the earlier books, but it fully lives up to his grand scheme—to be a ``petit-bourgeois, English, late twentieth-century recovery of Lost Time.'' Which is to say, it's Proustian without the pretensions: No heavily suppressed desire, no social-climbing on a grand scale. Wilson manages nevertheless to tell a truly representative tale of an Englishman in his time, which spans most of our century. Julian Ramsay has achieved some small fame for his long-running role in a popular radio drama. Through his many romantic pursuits, and two failed marriages, Julian has remained obsessed with the slippery Raphael Hunter, who beat him to the punch with a biography of the late James Lampitt, an Edwardian writer whose life touched all the greats, from Henry James to Oscar Wilde. Convinced that Hunter lied about Lampitt's alleged homosexuality and promiscuity, Julian clings to a hope that he can one day revive Lampitt's reputation. In his 60s, Julian surprises himself in a number of ways, from his passionate affair with the young and sexy Dodie Rich, the black star of a TV show, to his discovery of the truth about Hunter, his amiable nemesis. That happens when Kit Mayfield, a handsome young Lampitt descendant, manages with Julian's help to compel Hunter to reveal his dark secrets. Yes, of course, he killed old Lampitt, as Julian has long suspected, but it was only after the distinguished gent turned down the young Hunter's advance, and threatened to reveal his transgression in the darker days of the '50s. Julian's sidebar commentary on Anglicanism, the decline of literary culture, and the social nuances of language no doubt reflect Wilson's measured views, and they make for sparkling prose. The insights of a lifetime enrich this marvelous work, full of rewards for loyal readers and delights for new ones.

Pub Date: Oct. 1, 1996

ISBN: 0-393-04042-9

Page Count: 256

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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