The prolific novelist (Daughters of Albion, 1991, etc.) and biographer (C.S. Lewis, 1990, etc.) turns his attention to the historical Jesus, a biographical subject out of fashion among contemporary theologians. The result is a surprisingly dispassionate, respectfully skeptical study that makes the best biblical scholarship accessible to general readers. At once cautious and speculative, Wilson's book is not a biography in any modern sense of the term, since there is little we know about Jesus outside of the Gospels. And the Gospels are, of course, narratives ``of a high imaginative order'' that have to be read critically with their historical intentions in mind. Following recent Christologists, Wilson restores the figure of Jesus to his Jewish roots, and views him as a Galilean hasid, or holy man, who preached his message of love and forgiveness to his fellow Jews. After his death, three fairly distinct strands of Christianity developed: the Temple-based, Jewish followers of Jesus in Jerusalem; the anti-institutional, anti-ritualistic celebration of faith embodied in the Gospel of John; and the Christian religion as conceived by Paul and developed both in his many epistles and in the Synoptic Gospels, which were written, most likely, under his influence. This last strain, addressed to Gentiles more than Jews, came to dominate Western ways of worshipping Jesus for centuries. Synthesizing textual and archaeological evidence with plain common sense, Wilson rejects any effort to systematize Jesus, offering an abundance of contradictions and inconsistencies. But this doesn't stop him from admiring the radicalism of what he sees as Jesus' fundamental massage—that God loves and forgives sinners—a dangerous notion for a historical people dedicated to formal worship and good works. Finally, though, in Wilson's view, it's Jesus' very inexactness that explains his abiding transcendent appeal. A formidable challenge to believers in Jesus' divinity, Wilson's eminently readable book also serves as an excellent introduction to the New Testament.
Pub Date: Oct. 19, 1992
ISBN: 0-393-03087-3
Page Count: 320
Publisher: Norton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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