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THE HEART NEVER FORGETS

A stirring reminder of loss that balances joy with sadness.

A child grieves for a beloved grandfather.

In this story told from the perspective of a young child, a small town gathers for the masquerade—a West African event where people don masks representing ancestors, spirits, or deities. This masquerade, however, is different for our young protagonist—it’s the first one without Grandpa. Taking in all the sights, sounds, and smells, the child recalls the akaras that Grandpa loved to eat and the way he smiled as he shared them. The drums thump louder, and musicians join the din as the festival ramps up while the family reminisces about Grandpa. Everyone has brought an item that belonged to Grandpa except the young narrator, who has something else planned. The masquerade is in full swing now, and people in dazzlingly colorful masks march by as the child waits. The time has come for the little one to dance in celebration of Grandpa—in the past, the child “danced only when Grandpa played,” and he lives on in the child’s memories. The simple, poetic language guides readers through this heartfelt story of grief and love. The vividly textured illustrations are captivating. A wonderful read-aloud, this tale will especially resonate with those dealing with loss.

A stirring reminder of loss that balances joy with sadness. (information on West African masquerades) (Picture book. 4-8)

Pub Date: April 16, 2024

ISBN: 9781665913058

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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