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INCEST

FROM 'A JOURNAL OF LOVE': THE UNEXPURGATED DIARY OF ANAÃS NIN, 1932-1934

A previously suppressed portion (1932-34) of Nin's near- endless diaries that's shocking for its boundless narcissism, preciousness, and grandiosity—especially when Nin swoons over her sexual affair with her father or describes a late-term abortion. Unexpurgation, in this case, overwhelms the famous, liberated love scenes with Henry Miller and June, making Nin seem paltry and pitiable because she is so blindly self-absorbed. ``A marvelous story,'' Henry Miller writes to Nin in these pages—``but a bad diary.'' Sprinkled throughout these dreamlike fragments are the names of fascinating lovers: Henry and June, of course; Nin's long- suffering husband, Hugh; French poet and dramatist Antonin Artaud; and Otto Rank (Nin's analyst as well as her lover, who warns her that diaries are her opium habit, unlikely to lead to enlightenment). But Nin's prose is muddled and sketchy, always circling back to her moods and qualities and neuroses, never touching down long enough to give the reader a sense of place: ``I leap like a squirrel about Paris, laughing at astrological predictions.'' Indeed, Nin leaps from bed to bed, always ending up with Henry. But external events, even the Great Depression, concern her only as they advance or limit her own enjoyment. In a rare moment of unadorned candor, she admits ``that there is a deformity in my vision which no intelligence can cure.'' This is never more apparent than when she describes her sexual affair with her father, her ``double'' or ``male half'': ``Is this love of my double that self-love again?'' Most readers will answer with a resounding ``yes.'' Though it will probably generate some prurient interest, in the end this is an overheated muddle of thoughts and notes about a black hole of self-absorption.

Pub Date: Oct. 1, 1992

ISBN: 0-15-144366-1

Page Count: 400

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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