A sweetly, quietly appealing piece of whimsy.
This original fairy tale looks as timeworn as a fairy tale should, with a story just runic enough to keep the wheels turning in little minds.
“It was a greyish-blue day. Rainy and windy, it tasted like a dandelion blowball, felt like a wax cloth, smelt like a bonfire and was as long and slimy, as an earthworm.” Just the kind of day you might expect to find a hole in the pocket of your coat. A Man in a village finds himself in such a predicament. And worse: “[The] hole in his jacket turned out to be the size of his childhood. The Man has lost it a long, very long time ago.” Now, repairing the hole might cut the Man off completely from his childhood, so the fairy Zhuzha tells him to hold on, she’ll go look. She runs into a princess, who is literally fishing for compliments, and some squawking birds. Zhuzha has a brainstorm, even if it does mean she will be spending much time in the dark: She is “of the same size as the hole in [the] pocket.” The brief story (just six pages) is laid out on sepia-toned backgrounds with fine-lined, gently animated cartoon drawings to accompany the text. The village looks like a 19th-century shtetl preserved in amber, though it has (really charming) moving parts.
A sweetly, quietly appealing piece of whimsy. (iPad storybook app. 4-10)Pub Date: July 4, 2014
ISBN: N/A
Page Count: -
Publisher: Timecode
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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