A unique addition to the literature of ethical action during the Holocaust.
Everyday heroism.
Trocmé (1901-71) was a French Protestant pastor who aided in the saving of Jewish families during the German occupation of France in the 1940s. His memoir, written in French in the 1950s and ’60s, records not only the heroic actions of his community but also the complications of Protestant life in a largely Catholic country. Trocmé’s activities grew out of a larger commitment to Christian pacifism and conscientious objection, a tradition central to a strain of French religious leadership in the 20th century. These memoirs tell a story of spiritual growth, framed in the landscapes of world war and social upheaval. Trocmé makes much of how the First World War drew him out of his “childhood apathy.” He illustrates how the ironbound traditions of French education fostered a culture of obedience that often led to military and political conformity. He writes vividly of everyday life that few American readers know. His wars and worries play themselves out in village streets and church aisles. Families and classmates build communities of belonging. He always tried to “stick to my beliefs.” And yet, “I feared my own weakness.” With the advent of the Second World War, Trocmé reflects on the nature of moral choice. “We do not decide to be nonviolent or truthful in advance as if we had an outline, a moral blueprint to follow automatically. Events appear almost always as a series of little, unexpected problems we must solve one at a time. We choose between two alternatives, one of which, in the final analysis, appears closer than the other to the laws of Jesus Christ. In that moment, one is sure of nothing.” Trocmé’s story, available in English here for the first time, teaches us how to act when we are sure of nothing.
A unique addition to the literature of ethical action during the Holocaust.Pub Date: Sept. 23, 2025
ISBN: 9781636081595
Page Count: 480
Publisher: Plough
Review Posted Online: July 15, 2025
Kirkus Reviews Issue: Aug. 15, 2025
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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