Native life and language are at the center of this beautiful sibling story.
A young Indigenous girl attempts to get along with her infuriating little brother.
Sissy has a mischievous 2-year-old brother called Chooch—an affectionate nickname based on the Cherokee word for boy or son. No matter what the usdi (baby) does, he “just gets away with everything”—from painting streaks through Elisi’s mural to making a mess of Edutsi’s grape dumpling flour. Each transgression is followed by the same refrain: “Chooch helped.” Sissy has less tolerance for her brother’s “assistance,” and the last straw comes when Chooch damages her clay pot. After the fed-up narrator screams at the little boy, her parents yell at her, bringing the beleaguered sister to tears. But Chooch shows up to do what he always does—with his arms around a sobbing Sissy, “Chooch [helps].” Sissy comes to understand that young children learn by watching others and that her patience helps Chooch grow. Author Rogers and illustrator Kunz, both members of the Cherokee Nation, portray Sissy’s older sisterhood with tenderness; illuminating backmatter explains the links between the story and the creators’ own heritage. The touching narrative and its universal lesson are brought to life through Kunz’s powerful images, which make stunning use of collage to illustrate the children’s rich familial and cultural webs. Readers’ hearts will be warmed by Sissy and Chooch’s relationship and by the moving representation of Cherokee traditions.
Native life and language are at the center of this beautiful sibling story. (author’s and illustrator’s notes, instructions for creating a pinch pot, glossary) (Picture book. 4-10)Pub Date: Oct. 8, 2024
ISBN: 9781646144549
Page Count: 48
Publisher: Levine Querido
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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