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THE PASSIONS OF ANDREW JACKSON

Nicely written and generally well-considered: particularly useful for students of the Jacksonian era.

Brawler, liar, adulterer, murderer. This was one of the great presidents?

Burstein (History/Univ. of Tulsa; America’s Jubilee, 2001, etc.) clearly does not share the generally favorable view of Andrew Jackson popularized in the last couple of decades by Robert Remini, the author of a now-standard three-volume biography published between 1977 and 1984. In his highly critical reconsideration, Burstein keeps his eye on the individual, treating Old Hickory as something out of the pages of Shakespeare in the Richard III/Coriolanus/Titus Andronicus vein, with perhaps a dash of Lear’s madness. Like them, Jackson was ruled by his passions, which were many and elemental; they got him in more than one scrape in his long life (1767–1845), whether running off to the then-Spanish borderlands of Mississippi with the estranged wife of a neighbor or fighting Cherokees on the Tennessee frontier (in which service, Burstein suggests, Jackson’s deeds have been much overrated, though this is the fault of later mythmakers and not of Jackson himself). Several constants arise in these pages: Jackson’s overarching hatred of Indians and conviction that the only way to treat them was by force; his certainty that “virulent enemies were plotting against [him]” at all times, an irrational belief that he shared, Burstein claims, with George Washington and Thomas Jefferson; his ardent defense of slavery, though his last words to his slaves were, “I want all to prepare to meet me in Heaven. . . . Christ has no respect for color.” The overall effect is, of course, a whittling away of the Jacksonian legend, so much so that by the end, readers will wonder how he came to be considered great in the first place. This diminution Burstein achieves with good evidence at hand, though he is sometimes given to judging Jackson and his contemporaries by modern standards rather than those of the day.

Nicely written and generally well-considered: particularly useful for students of the Jacksonian era.

Pub Date: Feb. 17, 2003

ISBN: 0-375-41428-2

Page Count: 320

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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