A life of Connery that's given its richness as much by the whimsically outspoken star himself as by Yule. Yule combines the detail of his David Puttnam bio (Fast Fade, 1988) with the focus on acting that enlivened his Al Pacino bio (Life on the Wire, 1991) and makes a satisfying study of Connery's lust to give his talent its head. A Scot often mistaken for an Irishman, Tommy Connery (Sean is a stage name) was raised in Edinburgh and early came into the family ulcer, which he has passed on to his son Jason, a rising young actor. The ulcer got Connery out of the Navy at 19. An early interest in body-building boosted his stage career and general charisma, though he was always magnetic. Small film roles as well as stage classics led to Dr. No and James Bond, who was a mixed blessing for Connery, bringing him wealth but also the burden of typecasting, against which he fought endlessly. This fight led to film roles that stretched him as a character actor but brought on a long list of flops. It took Connery nearly 30 years to find a blockbuster in the $100-million range (Indiana Jones and the Last Crusade) that wasn't a Bond film, although, ironically, Indiana Jones himself is a Bond clone. The Connery whom Yule draws is a charming chauvinist pig who has not led a monastic life, waves off women like flies, greatly prefers golf to gals. Much time and money have been given to Scottish charities and youth. He spends big but grips his pennies, has a vital interest in not being screwed. Everyone speaks of Connery as a joy to work with, a truly focused actor and the ultimate professional whose presence brings order—though incompetence makes him gripe loudly. Much, much better than average, and made so by Connery's wit. (Photos—not seen.)
Pub Date: Aug. 27, 1992
ISBN: 1-55611-277-7
Page Count: 320
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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