For caregivers of extremely extroverted kids, Carmen’s ambitions will feel very familiar; for kid readers, Carmen and...
An attention-seeking young star of imaginative stage shows—all produced at home for her Latinx family members—learns that sharing the spotlight can be equally fulfilling.
Carmen is a whirlwind of many talents, a “one-girl sensación” who acts, sings, dances, and even costume-designs musicals every night for her supportive but slightly exhausted parents and star-struck little brother. When her parents call for an intermission on all the show-business activity, Carmen sulks. But when she sees her brother, Eduardo, previously cast in nonspeaking roles (“You can be a rock”), has his own imaginative ideas, Carmen decides that her productions can be even better as an ensemble. Smartly, the narrative depicts all Carmen’s activities as creative work; it’s not just about the performance, but also building and rehearsing. And her parents (dark-skinned mom and light-skinned dad) accommodate her dreams while also realistically hoping to enforce bedtime and make sure Eduardo doesn’t get left in the shadows. The art seems to leap off the page, turning Carmen’s stagecraft into magic, whether it’s colorful pirate seascapes or robot rock operas. The mix of detail between home decoration and wildly over-the-top costumes and props is well-balanced and rich.
For caregivers of extremely extroverted kids, Carmen’s ambitions will feel very familiar; for kid readers, Carmen and Eduardo’s very fun activities might inspire some musical productions at home. (Picture book. 4-8)Pub Date: Sept. 12, 2017
ISBN: 978-1-4197-2321-6
Page Count: 32
Publisher: Abrams
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
An endearing ode to big siblinghood.
A buffalo is disconcerted when his daily routine is disrupted by a newborn.
Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.
An endearing ode to big siblinghood. (Picture book. 4-8)Pub Date: Sept. 30, 2025
ISBN: 9780593810309
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
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