A spirited, well-turned collection suffused with cleansing anger and hunger for change.
Personal essays and reportage on a mixed-race feminist’s social justice awakening—and the activist practice she built around it.
Enjeti, a journalist, critic, and novelist, loosely arranges this collection chronologically, beginning with her childhood in the South, where she was made to feel “abnormal and abhorrent” as one of the few non-White students in her school. “I am half Indian, a quarter Puerto Rican, and a quarter Austrian,” she writes. “I am an immigrant’s daughter and also a daughter of the Deep South. Despite an ever increasingly diverse United States, I remain a perpetual foreigner.” She closes the book discussing her recent (and fruitful) work in her home state of Georgia to get non-White voters, especially Asian Americans, to the polls. In between, her essays discuss her growing awareness of racism, sexism, and institutional injustice. The prevailing mood isn’t pride from having acquired a greater awareness of those tensions, but regret over her complicity in them. She laments failing to defend a fellow National Organization for Women intern who was fired for voicing her convictions to a lawmaker; a miscarriage prompted her to question the easy sloganeering she once shouted at anti-abortion protesters. Enjeti comfortably shifts from first-person essays to reporting (on activists supporting Immigration and Customs Enforcement detainees) to literary criticism (a fine piece on how minority characters in fiction are often designed to assuage White fragility). Not every piece lands firmly—there are scraps of poems and an earnest time-jumbling reckoning with a notorious hate crime—but the book has overall cohesiveness thanks to the author’s tone: plainspoken, persistently self-questioning, and justifiably infuriated. Many readers will agree with her insights on voter suppression and racism, but agreement, she insists throughout, means little unless it translates into action. Writing on the AIDS crisis, Enjeti argues that too often condemnations of homophobia “did not involve discomfort, risk, or confrontation.” Her book is a prod to readers to shake off their passivity.
A spirited, well-turned collection suffused with cleansing anger and hunger for change.Pub Date: April 15, 2021
ISBN: 978-0-8203-6006-5
Page Count: 232
Publisher: Univ. of Georgia
Review Posted Online: Feb. 7, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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