A leisurely, moving tale of intimacy and art with a lovingly drawn Italian setting.
In Wadsworth’s novel, an American freelance journalist finds both drama and community in central Italy.
Forty-five-year-old Allyn “Ally” Crosbie is in Perugia to interview Piero DiBrufa, the mysterious librettist for Sirius, a local upcoming opera. But DiBrufa refuses to cooperate, so Ally’s editor tells her to “find something or someone in Perugia to write about…or move on.” Her story-hunting leads her to Scottish pianist Vincent Norrie, who’s trying to write an opera of his own and with whom she quickly develops a warm camaraderie. At a dinner for local arts heavyweights, Ally also meets the elusive Elaine Bishop—Sirius’ stage director and Vincent’s longtime friend who becomes the subject of Ally’s piece. As Vincent’s health mysteriously declines and further crises erupt at the opera, Ally must rethink the story she came to write while navigating the delicate triangle that she, Elaine, and Vincent have formed. The narrative takes a while to get going amid Ally’s one-off encounters and her dismissal of her editor’s demands for material. But Wadsworth plays the long game, and readers will easily settle into Perugian life; well-drawn side characters, including Ally’s headstrong apartment lessor, Signora Caccini, and bookseller Italo Montecalvo, add color to the narrative. Ally and Elaine’s will-they, won’t-they journey feels genuine and grounded, if sometimes hesitant. Wadsworth excels at depicting the complicated love between Ally and Vincent, two queer characters whose intimacy is vivid and authentic. Humor sneaks in, as when Ally eavesdrops on a conversation while a spider creeps up her neck and in this exchange between Vincent and Ally: “ ‘And what new idea did you come up with for the beginning of my opera?’ ‘I think I had some sort of sexual encounter with a washing machine.’ ” Compared to the characters’ emotional depth, the plot twists involving the opera feel a bit flat, but they ably flesh out a vibrant part of Italy that may be unfamiliar to international readers.
A leisurely, moving tale of intimacy and art with a lovingly drawn Italian setting.Pub Date: Sept. 22, 2022
ISBN: 978-1627879873
Page Count: 356
Publisher: Wheatmark
Review Posted Online: Dec. 9, 2022
Kirkus Reviews Issue: Feb. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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