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THE MUMMY or Ramses the Damned

Here, Rice varies the seasoning for her famous dish: the damnation of immortality. Her new tale, a kind of B-picture novel, is a cross between Karloff's The Mummy, a comic strip, and a gothic romance. Rather than the cloth-of-purple-velvet of the first Lestate novel (Interview with a Vampire), Rice herein spools out gauzy underwriting whose thinness just bastes her story to the page. The virgin heroine is Julie Stratford, the sought-after daughter of a retired shipping magnate who has taken up his hobby full-time: Egyptology. On page one her father discovers the cursed tomb of Ramses the Second—who somehow has been entombed in a site inscribed with Roman and Greek and Egyptian hieroglyphs from the period of Cleopatra—a thousand years after the death of Ramses! Indeed, Ramses, who mastered the elixir of immortality, would return to life from time to time to help out a bewildered Pharaoh when Egypt was in trouble. Unfortunately, he fell for Cleopatra, but she only wanted him to grant immortality to Antony. Now Julie's father is murdered by her besotted rotter of a cousin, who uses a poison from the tomb, and Julie becomes independently wealthy. She takes Ramses' casket (on its way to the British Museum) to her fancy London home—where Ramses springs back to health to save Julie from her murderous cousin. Ramses is superhumanly intelligent, strong, royal, and indestructible, and Rice dangles Julie's virginity under his nose for better than half the book. Ramses' adventures in 1930's London are fairly amusing, as is his return to Cairo. When Ramses recovers the body of Cleopatra from Nile mud and gives her corpse the elixir, he awakens a monster who is nonetheless Julie's chief rival (Julie and Cleo meet in the powder room at the opera). Should Julie drink the awful elixir and join Ramses in the damnation of immortality? There is no question about Rice losing any fans with this lightsome, almost chirpily horrorless horror romance: she won't. Meanwhile, more adventures of Ramses are planned.

Pub Date: June 1, 1989

ISBN: 0345369947

Page Count: -

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1989

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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