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THE VAMPIRE LESTAT

From the The Vampire Chronicles series

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Vampires are getting classier. Rice's formidable Lestat (given a bad press by his protege Louis in the author's Interview With a Vampire, 1976) sets the record straight with his story—from 18th-century fang-y to 20th-century rock star—all in Rice's faintly erotic, red-velvet-tasseled prose, festooned with swags of philosophical-theological expository flights, intra-vampirian warfare and sanguinary nightcaps. The seventh son of an impecunious French nobleman, Lestat, the family hunter and wolf-killer, who with his soul-mate Nicholas, another rebel, pondered the "meaninglessness" of the universe, was initiated into the Dark Gifts of the vampire in Paris. All, the "taste and feel of blood when all passion and greed is sharpened in that one desire!" But Lestat as vampire is in trouble almost immediately with the vampire establishment, since he loves living as a mortal and wants to do good. To save his beloved mother from an imminent death, there's that blood-for-blood ceremony, and zingo! Mother becomes the luscious "Gabrielle," charter coven member. She'll join him in a sectarian battle with Vampire Armand's cemetery gang, who've captured Nicholas (Lestate rescues him but later can't resist merging circulatory systems). Eventually, in narratives by Armand. and Marius, keeper of ancient Egyptian gods and vampirian annals. Lestat will learn of the vampires' complex history. It's rooted in Earth Mother cults and took on the coloration of various periods and places—hence the sectarian battling of demonic immortals. Rice dots Lestat's tale with some marvelous chillers: a giant killer-god on the march; a splendid crypt entrance before a terrified congregation; night prowls and rock-concert screams with telltale "tiny white faces" in the San Francisco audience. But worry not: vampire rules dictate that mortals are perfectly safe in Vampire Bars. A vampire bonanza in appropriate dark, humid, spider-web narrative—Rice's specialty. One giant step beyond Bela.

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Pub Date: Oct. 31, 1985

ISBN: 0345419642

Page Count: 680

Publisher: Knopf

Review Posted Online: April 9, 2012

Kirkus Reviews Issue: Sept. 15, 1985

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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