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“I REMAIN IN DARKNESS”

The impact of this courageous, sometimes unsubtle little book is sure to not pass away quickly.

A small, powerful, and overwritten memoir of a mother’s slow deterioration and death in a nursing home.

Ernaux is a prize winning author (A Man’s Place, 1992, also translated by Leslie) whose mother had been strict, controlling, but loving. When her aging, widowed mother first fell ill, Ernaux took her home. However, as her mother’s senility turned into mind-wasting Alzheimer’s disease, the author had her placed in an old-age home, where she visited and wrote this journal. This emotionally charged scenario has been handled before, notably in Rodger Kamenetz’s Terra Infirma(1998). Erneaux’s memoir is at its most effecting when describing details, such as her mother losing her glasses, dentures, modesty, posture, and possessiveness—rather than telling us she’s losing her mind and body. Too often, however, poignant scenes are dampened by the memoirist’s insistence on spelling things out. She precedes the heartbreaking realization that her mother “thinks that I have come to take her away and that she is going to leave this place” with the neon signs indicating that “it’s beyond sadness” and promising “painful moments.” Her disheveled mother is soiled with excrement, has to be spoon-fed, her right hand “grasping the left like an unknown object—yet Ernaux remarks: “I have no idea what she thought of sex or how she made love.” The author is either in deep trouble or is French. Readers of all nationalities will sympathize with Ernaux’s having to be her mother’s mother, the good and bad memories of her girlhood evoked by these horrific scenes and emotions, and her tortured feelings of guilt in moments when she hates this former provider for draining her so. The pain doesn’t ease at journal’s end, when Ernaux’s mother abruptly passes away. 

The impact of this courageous, sometimes unsubtle little book is sure to not pass away quickly.

Pub Date: Nov. 15, 1999

ISBN: 1-58322-014-3

Page Count: 96

Publisher: Seven Stories

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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