Anyone who has ever watched American Idol, and that will be almost everyone, will have the immense satisfaction of the...
Written anonymously (by an insider?), this thinly veiled account of American Idol’s first season with Steven Tyler and JLo is a hilarious tour into the world of reality divas.
Sasha King is a recent college grad working on her Novel of Immense Profundity. While struggling on the second paragraph, she takes a position at the Rabbit Network as an assistant’s assistant, but when her boss, Bill, becomes injured, Sasha (known as the new Bill to everyone on set) becomes the acting assistant producer of Project Icon. Since the flaky judge disappeared and the mean judge, Nigel Crowther, left to start his own talent competition, Project Icon is in the hot seat; ratings have been down, and they need to find two judges before Rabbit’s owner, Sir Harold Killoch, cuts the show. After the kind of surreal demands only the most childish humans—stars—can negotiate, rock icon Joey Lovecraft and actress-singer-merchandiser Bibi Vasquez come on board. The novel’s impersonation of Steven Tyler’s verbal gymnastics is so dead-on, so charmingly nutty, kudos are in order. Bibi Vasquez (the JLo stand-in) comes off less attractively—as a driven, foulmouthed hunter, out for blood, even if she’s not sure why. The most sneering portrait is reserved for the show’s host, Wayne Shoreline, a workaholic sociopath who is sexually neutral and whose culinary tastes are satisfied at the pet store. Occasionally, Sasha has a few moments to devote to a personal life: trying to reconnect with her stoner boyfriend in Hawaii, working on her novel (which consists of deleting most of the first paragraph) and even finding happiness tentatively with an LA guy, found by her nosy Russian landlord. But of course, even Sasha knows her life pales under the starlight of the Icon universe, what with the drugs, the sex and the scandal lurking at every turn.
Anyone who has ever watched American Idol, and that will be almost everyone, will have the immense satisfaction of the “inside scoop,” real or not.Pub Date: Jan. 8, 2013
ISBN: 978-0-547-94207-0
Page Count: 304
Publisher: Amazon/New Harvest
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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