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THE TWIST OF A KNIFE

An expertly conventional puzzle.

What’s worse than having an influential London critic skewer your latest play? Getting arrested for her murder, that’s what.

Novelist/playwright Anthony Horowitz, who’s awfully hard to tell apart from his author, right down to the playful acknowledgments, is determined not to renew his collaboration with detective Daniel Hawthorne, who’s repeatedly upstaged him in their past investigations. Instead, he has high hopes for Mindgame, his latest theatrical thriller, which has consistently entertained audiences in the provinces. When the play opens in the West End, Sunday Times reviewer Harriet Throsby brings him crashing back to Earth by panning the play and everyone associated with it at length. The next day, the police are at Horowitz’s door to take him in for stabbing Throsby to death that morning. It’s true that all three performers in Mindgame—Lakota star Jordan Williams, rising Welsh hopeful Tirian Kirke, and punk ingenue Sky Palmer—had ample motive to kill Throsby. So did producer Ahmet Yurdakul and director Ewan Lloyd. But they didn’t leave behind the fingerprints or DNA that make Horowitz the obvious suspect, though he insists, “It’s critics who kill writers: never the other way round.” In order to beat the rap, he’ll require timely assistance from Kevin Chakraborty, the hacker downstairs, and of course from Hawthorne himself, who clearly revels in Horowitz’s dependence on him as he immerses his clinging, unwilling client in a deep dive into Throsby’s earlier writings, which provide even more motives for her murder. The real-life author, mostly eschewing the floridly inventive meta fireworks of his earlier tales, sticks more closely to his golden age models this time, producing an efficiently old-fashioned whodunit with all the surprises you'd expect.

An expertly conventional puzzle.

Pub Date: Nov. 15, 2022

ISBN: 978-0-06-293-818-3

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 12, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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SHARP FORCE

Come for the forensics, stay for the nonhumans.

A Christmas bout between Kay Scarpetta and the Phantom Slasher.

But first, Scarpetta, Virginia’s chief medical examiner, has to figure out how software designer Rowdy O’Leary died. Fished from the Potomac River on Christmas Eve six years after a hit-and-run driver left him permanently disabled and a week after he plunked down the cash for a pricey emerald ring, he fell off his fishing perch and drowned—or did he? Scarpetta’s examination of his body is cut short by two disturbing developments: the discovery of an unidentified woman’s remains buried on the grounds of Mercy Psychiatric Hospital, and celebrity TV reporter Dana Diletti’s report that the red-eyed ghost associated with the Slasher’s three murders has floated through the window of her home. She’s got video, too, and the apparition looks real and scary. The final blow to Scarpetta’s plans for a Christmas getaway with her husband, Secret Service forensic psychologist Benton Wesley, is an attack on an Alexandria home that kills Mercy psychiatrist Georgine Duvall, who used to treat Scarpetta’s niece, Lucy Farinelli, and nearly kills graduate student Zain Willard, White House intern and nephew of presidential candidate Sen. Calvin Willard. This time the Slasher’s ghost has been spotted on the scene by none other than Pete Marino, head of investigations for the medical examiner’s office and Scarpetta’s longtime sidekick. Cornwell’s use of Robbie, Zain’s robotic dog, and Janet, Lucy’s AI companion, integrates the futuristic elements she favors more successfully than in her recent outings. But the solutions to all these mysteries will leave fans of the venerable franchise pursing their lips rather than gasping in awe.

Come for the forensics, stay for the nonhumans.

Pub Date: Oct. 7, 2025

ISBN: 9781538773963

Page Count: 400

Publisher: Grand Central Publishing

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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SHADOW TICKET

A careening, oddly timely tour of recent history, and trademark Pynchon.

Pynchon returns, this time with a wacky whodunit that spans two continents.

What’s a sub without cheese? That’s not to be taken literally, like so much of Pynchon. The sub in question is a German one plying, in an unlikely scenario, the depths of Lake Michigan. There, in Milwaukee, we find Hicks McTaggart, gumshoe, who “has been ankling around the Third Ward all day keeping an eye on a couple of tourists in Borsalinos and black camel hair overcoats from the home office at 22nd and Wabash down the Lake”—the Chicago mob, in other words, drawn to Milwaukee in the void created by the absence of one Bruno Airmont, “the Al Capone of Cheese in Exile,” having legged it with a trunkload of cash some years earlier. Where could Bruno be? And why are those Germans, in those prewar days of Depression and protonationalism, skulking about under the waves? McTaggart will soon find out, sort of, having already been exposed to plenty of chatter—for, “this being Wisconsin, where you find more varieties of social thought than Heinz has pickles, over the years German American politics has only kept growing into a game more and more complicated.” Complicated it is. Trying to keep tabs on the twists and turns of Pynchon’s plot is a fool’s errand, but suffice it to say that it involves bowling, Les Paul, organized crime, Count Basie, a Russian bike gang, Nazis, and, yes, cheese, as well as some lovely psychedelic moments, including one where “fascist daredevil aviators are playing poker with Yangtze Patrol veterans who believe all that airplanes are good for is to be shot down.” Pynchon did the private dick thing to better effect in Inherent Vice (2009), a superior yarn in nearly every respect, so this one earns only an average grade—but then, middling Pynchon is better than a whole lot of writers’ best.

A careening, oddly timely tour of recent history, and trademark Pynchon.

Pub Date: Oct. 7, 2025

ISBN: 9781594206108

Page Count: 304

Publisher: Penguin Press

Review Posted Online: Sept. 29, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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