An excellent work of journalism and a strong contribution to the literature of both mental health care and civil rights.
A thoroughgoing, often shocking exposé of segregation in the treatment (or nontreatment) of mental illness.
NBC News reporter Hylton documents the history of Crownsville Hospital in Maryland, founded in 1911 as the Hospital for the Negro Insane. Getting to the story was not easy: The archives were incomplete because “the state had destroyed or lost most of the files preceding the year 1960, and others they had allowed to become contaminated with asbestos.” Unsurprisingly, the more controversial the past episode, such as the murder of a patient or systematic abuse, the likelier the documents were to have disappeared. Even so, in digging into the archives and seeking out those with firsthand or secondhand memories of the place, the author uncovered profoundly unsettling stories. One concerns an educator who, upon entering Crownsville after a case of typhoid fever had affected his mental health, “was just another inmate.” He was also effectively enslaved, and though Maryland was not in the Confederacy, it did permit slavery until 1864. In the Jim Crow era, Crownsville’s population swelled, its inmates growing tobacco and food crops under the supervision of white overseers; inside the walls of Crownsville, whites also governed the lives of Black people who were less treated than incarcerated. “Crownsville’s founding took vestiges of chattel slavery—from the style of the rolls to the financial recordkeeping format used on plantations—and translated them to a clinical setting,” writes Hylton, and the administration of the hospital remained remarkably consistent even after Maryland ordered the desegregation of state mental hospitals in 1962. Meaningfully, Hylton closes by examining the racialized discrepancies in mental health care today as they played out in the New York subway murder of Jordan Neely in 2023.
An excellent work of journalism and a strong contribution to the literature of both mental health care and civil rights.Pub Date: Jan. 23, 2024
ISBN: 9781538723692
Page Count: 368
Publisher: Legacy Lit/Hachette
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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