A delightful, modern take on an ancient tradition.
A modern family enjoys every part of the Passover festival.
Buying apples and walnuts and more at an outdoor farmers market is already sufficient to make the holiday a success. Adopting a kitten and running home in the gentle rain, making the charoset together, dressing up in special clothes, and going across the way to Nana’s house would also be enough. When they gather with family and friends, presenting the symbolic Seder plate, asking the four questions, eating delicious foods, searching for and finding the hidden matzo, singing and “baa”ing to “Chad Gadya,” and opening the door for Elijah, it is so much more than enough to make a special memory. Wayland employs flowing, descriptive language that sets each scene and captures the essence of the holiday. The text is set in the delightfully named Chaloops typeface, which nicely matches the exuberance of the tale. The expression “Dayenu,” meaning “enough” or “sufficient,” appears in large red letters at the end of each small episode and provides emphasis and continuity. (The cheerful, catchy song of the same name lists the horrific plagues visited on the Egyptians and indicates that the Jews would have been grateful for any one of them if it eased their way out of slavery.) Kath’s fresh, perky watercolors perfectly match the joyous tone of the text.
A delightful, modern take on an ancient tradition. (glossary, author’s note) (Picture book. 3-7)Pub Date: March 15, 2016
ISBN: 978-0-8037-4126-3
Page Count: 40
Publisher: Dial Books
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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