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THE DARKNESS KNOWS

The intricate plot poignantly depicts community crosscurrents, past and present.

The reopening of a cold case brings sketchy characters out of the woodwork and triggers deep emotion in a retired detective.

While exploring an Icelandic glacier, a group of German tourists stumble upon the well-preserved corpse of Sigurvin, a young man who disappeared 30 years ago. Konrád, the retired detective who worked the case, gets a call from his friend Svanhildur, a pathologist at the National Hospital, urging him to take a look at the body. A large head wound confirms that the death was most likely murder. Konrád has long believed that Hjaltalín, a man who threatened Sigurvin, was responsible for his death. The suspect was never brought to justice but suffered public infamy. When Hjaltalín, now elderly and frail, is taken into custody, he requests a meeting with Konrád, professes his innocence, and pleads to be exonerated—and then, days later, he dies. Once Konrád reluctantly begins a new investigation, he notices glaring omissions in the record and gets an odd visit from a woman whose brother, killed in a suspicious car accident, may have witnessed the crime as a child. His labyrinthine probe unearths secrets that have been buried for decades. Indridason methodically builds a portrait of Iceland with a large cast of nuanced characters unsettled by past events. In dredging up the past, Konrád must also confront his complex relationship with his own abusive father, whose murder was unsolved as well.

The intricate plot poignantly depicts community crosscurrents, past and present.  

Pub Date: Aug. 17, 2021

ISBN: 978-1-2507-6546-8

Page Count: 352

Publisher: Minotaur

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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FRAMED IN DEATH

High art meets low life in a tale a lot more sympathetic to the latter.

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Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.

In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.

High art meets low life in a tale a lot more sympathetic to the latter.

Pub Date: Sept. 2, 2025

ISBN: 9781250370822

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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THE MATCHMAKER

Intrigue, murder, and vengeance make for a darkly enjoyable read.

A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.

In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.

Intrigue, murder, and vengeance make for a darkly enjoyable read.

Pub Date: Feb. 1, 2022

ISBN: 978-1-64313-865-7

Page Count: 352

Publisher: Pegasus Crime

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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