Three valuable expressions of Cherokee culture; sadly, the marquee story starts strong but ultimately fails to satisfy.
A novella, a short story, and an essay explore Cherokee present and past.
In Cherokee storyteller Coulson’s title novella, Maurice “Chooch” Tenkiller, a Minnesota middle schooler, is stuck accompanying his uncle Dynamite on a road trip to attend the Wild Onion Festival in Greasy, Oklahoma, to tell stories. The Tenkillers are a family of Cherokee storytellers, but Chooch has his heart set on becoming a chef. In the car, Dynamite tells a traditional story about a fox that wants to fly, suggesting that Chooch can pursue his own destiny. Indeed, upon arriving at the festival, surrounded by his extended family, Chooch learns that his gift of cooking is its own way of telling stories. Unfortunately, after 38 pages of careful character development, Chooch’s compelling story ends abruptly in two pages of epiphany and limp denouement, jarring readers out of their relationship with the protagonist. Bear Don’t Walk (Crow/Northern Cheyenne) crafts bold paintings that have the feel of snapshots, breathing life into the story. Coulson’s second tale, “The Energy of the Thunder Beings,” illustrated by Cherokee artist Boney, follows young Saloli, who ignores his mother’s advice and climbs the mountain called Standing Man in search of a new pair of sticks to play stickball, a quest that leads him to an encounter with the Little People. The book concludes with a brief showcase of contemporary Cherokee life and culture as explained by Cherokee author Sorell.
Three valuable expressions of Cherokee culture; sadly, the marquee story starts strong but ultimately fails to satisfy. (Anthology. 8-12)Pub Date: Oct. 22, 2020
ISBN: 978-1-4788-7025-8
Page Count: 80
Publisher: Reycraft Books
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
An entertaining take on family values, Wimpy Kid style.
A summer vacation turns out to be anything but relaxing for Greg and a teeming horde of Heffleys.
Gramma declines the offer of a grand birthday celebration, saying that “what would make her REALLY happy is if everyone else went to Ruttyneck Island”—though she prepares individual packs of her legendary meatballs. (“You knew exactly how much Gramma likes you by how many meatballs you got.”) A gaggle of Heffley relatives and a dog stuff themselves into a small beach house, where overcrowding, personality conflicts, and simmering resentments become just some of the ingredients in a rolling boil of sitcom-style catastrophes, not to mention questionable decisions ranging from leaving the kids to make dinner unsupervised to labeling a cooler “HUMAN ORGANS” to keep random passersby from helping themselves. As usual, Greg supplies the setups in poker-faced journal entries interspersed with black-and-white drawings of slouched figures bearing frowny expressions of dismay or annoyance to cue the laffs. Gramma, it eventually turns out, not only (unsurprisingly) has plans of her own, but is also keeping a shocking secret about those meatballs. To go with the knee-slapping set pieces, Kinney slips in a tasty bit of family lore about how Greg’s parents met, plus droll takes on such low-hanging comedy fruit as restaurant manners, viciously competitive board games, and social media influencers (Greg being one, albeit with zero followers, and his Aunt Veronica’s little dog being another, with 3.8 million).
An entertaining take on family values, Wimpy Kid style. (Graphic/fiction hybrid. 8-12)Pub Date: Oct. 22, 2024
ISBN: 9781419766954
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Oct. 22, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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