by Ashley Bryan ; illustrated by Ashley Bryan ‧ RELEASE DATE: March 12, 1985
It's an idea to capture a child's fancy, and touch a cat-lover's heart—with a measured, word-wise text satisfying to...
Or, why cats eat rats—quietly and effectively adapted from a West Indian folk tale by an accomplished compiler/illustrator (The Ox of the Wonderful Horns, Beat the Story-Drum, Pum-Pum).
This is a smallish volume (5 3/4 x 7 3/8), with russet crayon drawings of a droll dignity that itself compels attention. We first see Cat and Mouse as big and little trousered workmates, and "the best of friends." ("Uh-huh, uh-huh, they really were!") But Mouse is given to copying Cat, and when Cat's old uncle presents him with a tiny cat drum, "passed down in the family," Mouse is disgruntled at hearing he can't play it. ("I made my hut like yours, squeak, squee-eee. I played in the shade of your coconut tree. . .") So he devises a scheme to get hold of the drum—first stuffing himself with food, then feigning sickness when it's time to to out and work. But Cat, hoeing, hears the drum's purrum, purrum, purrum (a sound that, neatly, grows louder the more lightly the drum is stoked) and he eventually catches Rat out. That wily fellow saves himself by plunging the drum into Cat's open mouth—and, we're told, it has lodged safely in Cat's stomach ever since. "If you're kind to Cat," Bryan concludes—with a fetching drawing of a little boy and a big house-cat—"he'll let you play his drum. Remember, though, don't tap it or beat it, don't rap it or poke it. Just stroke Cat gently, very, very gently. Uh-huh, uh-huh!"
It's an idea to capture a child's fancy, and touch a cat-lover's heart—with a measured, word-wise text satisfying to read or read aloud. (Picture book/folktale. 4-8)Pub Date: March 12, 1985
ISBN: 002179510X
Page Count: 52
Publisher: Atheneum
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Feb. 15, 1985
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by Dan Santat ; illustrated by Dan Santat ‧ RELEASE DATE: Oct. 3, 2017
A validating and breathtaking next chapter of a Mother Goose favorite.
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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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