Sure to provoke giggles, this delightful tale also helps girls to revel in their bodies.
In this debut picture book, girls at a sleepover learn that farts are nothing to be embarrassed about.
Six little girls are enjoying a slumber party. In the morning, a sound erupts, followed by a bad smell near the hostess. The friends try to pin down the nature of this smell, guessing everything from peanuts to broccoli to dirty diapers. An Asian girl with glasses concludes that “it was clearly a FART.” This dismays the hostess, especially when the bespectacled girl proclaims that it’s “foul and not proper” for girls to fart. But another guest, a girl with curly red hair, just laughs, saying that farting is natural. The girls all confess that they, too, toot, making them laugh. The body makes all kinds of noises. In the end, it’s the only body you have, “So appreciate it for all that it does. / And just love yourself, simply because.” In their book, Wheelock and Evans assure girls that there’s nothing unfeminine about normal bodily functions and sounds. Moreover, girls are encouraged not just to accept themselves, but to support one another as well. None of this seems didactic because of the tale’s humor, along with the pleasing rhyme and meter. Sonke’s (The Day Punctuation Came to Town, 2019) illustrations are a huge plus, lively and expressive, and they depict a nicely diverse crew. But in celebrating natural body noises, the story says nothing about politeness and what’s appropriate with company.
Sure to provoke giggles, this delightful tale also helps girls to revel in their bodies.Pub Date: Aug. 26, 2019
ISBN: 978-1-73313-741-6
Page Count: 40
Publisher: House of Tomorrow
Review Posted Online: Aug. 26, 2019
Review Program: Kirkus Indie
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
