Trippy ant conservation from Spain.
Will the inhabitants of an anthill constantly under attack by two children find a way to stop the violence?
This is one weird book, but it’s not without merit. The art and text complement each other perfectly, creating a world that evokes Latin American magical realism, the visual distinctiveness of Lane Smith’s art, and the worldbuilding of the movie Antz. At the outset, the cartoon ant pictured on the cover—with mustache, eyebrows, and gold star on his blue uniform—is shown in “the deepest part of the anthill,” which includes ant-proportioned decor such as ceramic urns and a potted plant. Gen. Ant has been performing the task of food storage but interrupts himself when he learns of an imminent attack on the anthill. He sends an order to soldier ants by “sending a special aroma signal that wafted through the many tunnels and caves in the colony.” (Throughout the book, facts about ants are thus interspersed with tongue-in-cheek descriptions.) White-presenting siblings Chloe and Jack—whose large, round, white eyeballs have turquoise irises plopped in the middle like the yolks of fried eggs—make a game of poking anthills and squishing ants. Gen. Ant, a captain, and a flying ant devise a plan to stop the children. Via the flying ant’s subliminal invasion of Jack’s dream, the text becomes suddenly didactic, with an ending so abrupt readers may think an army of ants has removed the final pages. Still, it’s great fun, and its clearly stated message is inarguable.
Trippy ant conservation from Spain. (Picture book. 3-6)Pub Date: Nov. 12, 2019
ISBN: 978-84-16733-48-4
Page Count: 28
Publisher: Cuento de Luz
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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