Trippy ant conservation from Spain.
Will the inhabitants of an anthill constantly under attack by two children find a way to stop the violence?
This is one weird book, but it’s not without merit. The art and text complement each other perfectly, creating a world that evokes Latin American magical realism, the visual distinctiveness of Lane Smith’s art, and the worldbuilding of the movie Antz. At the outset, the cartoon ant pictured on the cover—with mustache, eyebrows, and gold star on his blue uniform—is shown in “the deepest part of the anthill,” which includes ant-proportioned decor such as ceramic urns and a potted plant. Gen. Ant has been performing the task of food storage but interrupts himself when he learns of an imminent attack on the anthill. He sends an order to soldier ants by “sending a special aroma signal that wafted through the many tunnels and caves in the colony.” (Throughout the book, facts about ants are thus interspersed with tongue-in-cheek descriptions.) White-presenting siblings Chloe and Jack—whose large, round, white eyeballs have turquoise irises plopped in the middle like the yolks of fried eggs—make a game of poking anthills and squishing ants. Gen. Ant, a captain, and a flying ant devise a plan to stop the children. Via the flying ant’s subliminal invasion of Jack’s dream, the text becomes suddenly didactic, with an ending so abrupt readers may think an army of ants has removed the final pages. Still, it’s great fun, and its clearly stated message is inarguable.
Trippy ant conservation from Spain. (Picture book. 3-6)Pub Date: Nov. 12, 2019
ISBN: 978-84-16733-48-4
Page Count: 28
Publisher: Cuento de Luz
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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