by Barton Gellman ‧ RELEASE DATE: May 19, 2020
A riveting, timely book sure to be one of the most significant of the year.
A three-time Pulitzer winner digs deep into “the surveillance state that rose up after [9/11], when the U.S. government came to believe it could not spy on enemies without turning its gaze on Americans as well.
In 2010, Gellman left the investigative team of the Washington Post, where he had developed journalistic expertise in national security issues and topics related to surveillance and digital encryption. By 2013, as he was figuring out his career as a freelance author, his life changed dramatically: He was visited by documentary filmmaker Laura Poitras, who had been approached by a then-anonymous whistleblower with alleged access to evidence of surveillance conducted illegally on American citizens by federal government agencies. Gellman’s masterful narrative proceeds along two primary tracks. One relates the life story of the whistleblower, the now-famous Edward Snowden. The other is a primer about investigative journalism regarding one of the highest-risk exposés in U.S. history. As the author unspools his own saga, he also delivers an endlessly insightful narrative about the practice of investigative journalism, a book that deserves its place alongside All the President’s Men, Five Days at Memorial, Nickel and Dimed, and other classics of the genre. Gellman sets both skillful narrative tracks within the vital context of how a panicky network of federal government officials asserted their authority to break seemingly any privacy law or regulation in the wake of 9/11. The author does not view his role as advocate or dissenter. Rather, throughout the book, he sees his mission as informing all readers about the extent of government overreach into private lives. “The reader is entitled to know up front that I think Snowden did substantially more good than harm,” writes Gellman, “even though I am prepared to accept (as he is not) that his disclosures must have exacted a price in lost intelligence.” Explaining the illegal government surveillance requires cutting through a mountain of technological jargon, a task the author handles expertly.
A riveting, timely book sure to be one of the most significant of the year.Pub Date: May 19, 2020
ISBN: 978-1-59420-601-6
Page Count: 448
Publisher: Penguin Press
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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