If you want to understand the Arab Spring—even though it was really the African Spring, set off by a “small puny...
Egyptian comic Youssef, a doctor-turned-satirist–turned–international media sensation, recounts the revolution that brought down Hosni Mubarak in 2011.
The author had his moment in the sun when, by long and careful design, he wangled an appearance on Jon Stewart’s Daily Show, billed as Egypt’s version of the American comic. He earned that designation, he writes here, by cosmic accident, having jumped in front of an American news camera to take over interpreting duties from a less-capable speaker of English during a demonstration in Cairo. The rest was history—if a very brief history, since Youssef fell from stardom just as quickly as he rose to it, his comedy show having fallen afoul of fundamentalists and government types alike. “My bleeped ‘profanity’ under the Islamist regime was celebrated as a form of resistance,” he writes, “but now everyone was a fucking prude.” Chaste and self-censoring, the new Egyptian society that followed Mubarak found no room for Youssef’s sensibilities, though he says, bitterly, that he was offered a show in exile but declined it for fear that he would be playing into his enemies’ hands. Youssef’s memoir often illustrates the old Belfast graffito that if you aren’t confused, you don’t know what’s going on. His account of the rise of Mohamed Morsi, a supposed revolutionary fully implicated in the old regime, is a case in point, with a familiar denouement: “Sure enough, after he and the Brotherhood won, they did what they do best: screwed everyone over. Let the games begin!” Youssef is usually funny, though occasionally he slathers on the bile a little too thickly. The effect is often as if some shock comic—Doug Stanhope, say—were taking it to The Man (or, better, The Mullah). Sometimes it works, and sometimes it doesn’t.
If you want to understand the Arab Spring—even though it was really the African Spring, set off by a “small puny motherfucking country called Tunisia”—then this odd book is just the guide.Pub Date: March 21, 2017
ISBN: 978-0-06-244689-3
Page Count: 304
Publisher: Dey Street/HarperCollins
Review Posted Online: Feb. 6, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
